#michaelarmitage (@manairobi) is exhibiting four works in the upcoming exhibition ‘now’ at the scottish national gallery of modern art (modern one) opening 28 october 2017–18 february 2018. . the work ‘nasema nawe’ (2016), is directly inspired by paul gauguin’s 'vision after the sermon' (1888), one of the most popular works in the national galleries of scotland’s (@natgalleriessco) collection. the exhibition demonstrates the crucial exchange between artistic communities around the world. . image: michael armitage ‘nasema nawe’ (2016) oil on lubugo bark cloth. © michael armitage. photo © white cube (ben westoby) #modernnow
#larrybell’s ‘cube 55’ (2007) is at #whitecube booth c23 @fiacparis until sunday, 22 october 2017. the work is part of a series which dates back to the early 1960s and bell’s long interest in glass is defined by its characteristics of transmitting, reflecting, and absorbing light. . bell discusses his works in a recent interview in @vanityfair’s #onart november 2017 issue. . image: larry bell, ‘cube 55’ (2007) coated light gray and clear glass. © larry bell. photo © pat pollard courtesy white cube
Tonight #cerithwynevans is in conversation with curator jean-pierre criqui @centrepompidou at 7pm. his work is currently on display at the @biennaledelyon and at #whitecube bermondsey. . our #filmonsunday programme this weekend features three films chosen by the artist, including ‘bäume im herbst’ (1960, 5min) and ‘tv’ (1967, 4min) both by kurt kren, alongside a masterpiece of noh theatre ‘shōjō-midare’ (1964, 30min). . films are shown for free at #whitecube bermondsey’s auditorium at 2pm. reservation is not necessary, but places are limited – please arrive early to avoid disappointment. . images: 1) courtesy de l'artiste, de la biennale de lyon 2017, collection centre pompidou, paris, musée national d’art moderne/centre de création industrielle ©blaise adilon. 2) cerith wyn evans 'cerith wyn evans', white cube bermondsey 27 september - 12 november 2017 © cerith wyn evans. photo © white cube (george darrell)
‘from the vapor of gasoline' features a selection of #larryclark’s earliest black and white photographs of american youths taken between the 1960s-80s. the poignant images convey the desire and shame which has long characterised the relationship between the very wealthy and those on the fringes of society. . #whitecube mason's yard is participating in the @wallpapermag #stjameslondon art and design walk, which takes place tonight and on saturday. follow their route on instagram: @stjameslondon #stjamesartwalk . image: larry clark, ‘untitled’ (1979), black and white photograph, © the artist. courtesy of the artist and simon lee gallery, london/hong kong
#haimsteinbach’s ‘sailboat’ (2017) features on #whitecube booth (c23) at @fiacparis. his exhibition ‘jaws’ opens on 27 october 2017 at #whitecube mason’s yard, join us for the preview on 26 october from 6-8pm. . ‘sailboat’ (2017) forms part of a new series of shelf works, featuring numerous surfboard fins in different shapes and colours – either singly or in groups – in juxtaposition with other objects. placed on shelves made of conjoined parts, these upright surfboard fins recall those of a shark, syncopating a cultural archetype of surf and beach culture with a reflection of our primal fears. . images: 1) haim steinbach, ‘sailboat’ (2017) plastic laminated wood shelf; contraband cork toy boat; smith/parrish fiberglass surfboard fin. 2) haim steinbach, ‘untitled (kongs, bear, cage, darners, fin)’ (2017) plastic laminated wood shelf; kong rubber dog chews; solar powered, plastic bear figurine; metal cage; wooden sock darners; smith/parrish fiberglass surfboard fin. 3) haim steinbach, ‘untitled (2 kongs, 2 fins)’ (2017) plastic laminated wood shelf; norm flex fiberglass surfboard fin; george greenough design fiberglass surfboard fin; 2 kong rubber dog chews. all: © haim steinbach. photo © white cube (christopher burke, new york).
Works by #christianmarclay are on display at #whitecube booth c23 @fiacparis. taken during the artist’s travels, the photographs focus on piano keys and other sound-related subject matter forming part of his series of snapshot photographs taken between 1994 and 2009. . marclay’s exhibition ‘screams’ features a new series of woodcut prints and opens at #whitecube #hongkong on 16 november 2017–13 january 2018. his 24-hour video installation ‘the clock’ comes to @tate modern, london, next year from 14 september 2018–20 january 2019. . images: 1) christian marclay, ‘new york, 2004’ (2004) c-print on fuji crystal archive paper © the artist. courtesy white cube. 2) quote from the artist. 3-4) christian marclay, 'vienna, 2004' (2004) and ‘london, 2006’ (2006), both c-print on fuji crystal archive paper © the artist. courtesy white cube. 5) christian marclay ‘scream (eye popping)’ (2017) woodcut © the artist. photo © white cube (george darrell). #fiac #paris #screams
Happy birthday to #whitecube artist #josiahmcelheny! . image: josiah mcelheny, ‘island universe’ (2005-2008) projected super 16mm film transferred to high-definition video. score by paul schütze, with sounds by mark whittle. cinematography: adolfo doring and jason simon. editor: frank heath. filmed on location at the metropolitan opera house, new york. duration: 18 minutes 8 seconds. © josiah mcelheny. photo © todd-white art photography courtesy white cube #artistbirthdays #otd
Visit #whitecube at @fiacparis booth c23 this week. highlights include #traceyemin’s ‘red, white and f*****g blue’ (2017) and ‘naked’ (2011) as well as #damienhirst’s ‘lies, lies’ (2008) and more. . image: © marc domage. . #christineaytjoe, #larrybell, #traceyemin, #theastergates, #monahatoum, #damienhirst, #janniskounellis, #liuwei, #christianmarclay, #gabrielorozco and #damiánortega
#jessicarankin discusses her new work in the exhibition ‘stone/folding’ on thursday, 19 october at 8pm @touchstones_rochdale. the artist has invited critically acclaimed poets amy key, sarah howe and brenda shaughnessy to give their poetic responses to her work, as part of the rochdale literature and ideas festival. . rankin’s exhibition ‘stone/folding’ at #touchstonesrochdale opens this weekend, 21 october–16 december 2017. . image: jessica rankin, ‘the quivering universe laid out’ (2017) six parts of 30.5” x 44” each; ink, graphite, collage on paper. © jessica rankin.
Almost time for @fiacparis 2017 where we’re proud to present ‘gold layer’ (2017) by #theastergates. the artist collected ageing and damaged sections from the roof of st. laurence school in the south side of chicago, casting them in bronze and brushing with tar. . theaster gates gives a talk on 30 november and a performance on 1 december 2017 at the @centrepompidou, paris, as part of a programme of events in association with the new exhibition ‘cosmopolis’ (18 october-18 december 2017). . in september 2017, gates was awarded the legion d’honneur by french ambassador to the united states, gérard araud. . images: 1) theaster gates, ‘gold layer’ (2017) bronze and tar. © theaster gates. photo © white cube (kitmin lee). 2) image taken at the stony island arts bank by david sampson.
★★★★ (@timeoutlondon) by eddy frankel: "[ortega] uses dot-to-dots to paint a figure, schematics of a gun to attack ‘post-truth’, printing diagrams to expose the tragedy of missing persons in mexico. ortega’s unspooling of life’s intricacies is his way of dealing with things, pulling everything apart to see how it works, to try desperately to understand". . don't miss #damianortega's exhibition #playtime at #whitecube #bermondsey, on until 12 november. . image: damián ortega, ‘percentual constellation’ (2017), fired glazed clay from zocatecas. © damián ortega. photo © white cube (ben westoby)
In #davidhammons 'untitled (body print)' (1975), featured in #fromthevaporofgasoline, the artist drapes himself in the american flag. the work foreshadows his hybrid 'african-american flag' (1990) which hangs outside the @studiomuseum in harlem and intertwines the official history of the usa with those of colonialism, slavery and rebellion. . the exhibition runs until 21 october at #whitecube mason's yard and is part of @wallpapermag and @stjameslondon's free, self-guided art and design walk next week, 19 & 21 october. #stjamesartwalk . image: david hammons, untitled (body print), 1975, silkscreen and ink on paper, © david hammons, courtesy white cube
#ibrahimmahama (@ibrahimmahama3) performs ‘labored forms’ (2017) at #magasindeshorizons this weekend. sewing together burlap sacks used in global trade, mahama and over thirty performers mend the fabric as a collective response aimed at healing – bringing together what capitalism has scattered. . performances on saturday, 14 october at place saint-andré and sunday, 15 october at magasin des horizons, both starting at 2pm in #grenoble. . image: ibrahim mahama performance at documenta 14, kassel, 2017.
Four years in the making, 'mona hatoum: terra infirma' at the menil collection, texas is the artist’s first major solo exhibition in the united states in twenty years. it surveys her installations and sculpture from the late 1980s to the present. . the public are invited to a preview on thursday 12 october at 7pm (cdt). exhibition runs from 13 october 2017 to 25 february 2018. . images: @menilcollection. #menil #menilcollection #monahatoum
Don’t miss #whitecube at the #grandpalais (booth c23) for @fiacparis 2017 featuring #eteladnan, #christineaytjoe, #larrybell, #traceyemin, #theastergates, #antonygormley, #monahatoum, #damienhirst, #janniskounellis, #liuwei, #christianmarclay, #gabrielorozco, #damiánortega and #haimsteinbach. . image: grand palais © marc domage. #fiac #whitecubeatfiac
#juliemehretu’s major exhibition ‘julie mehretu. a universal history of everything and nothing’ @centrobotin opens tomorrow 12 october and runs until 25 february 2018. . exhibiting 30 paintings and 40 works on paper, ranging from her earliest series to her more recent large-scale works, the exhibition highlights the importance of calligraphy and pictorial elements in her practice over 20 years. . #auniversalhistoryofeverythingandnothing #centrobotin
#theastergates presents ‘plantation lullabies’ at the @hirshhorn museum and sculpture garden in #washingtondc on friday, 13 october at 6:30pm. . the second instalment in the artist’s #processions performance series at the #hirshhorn, the work introduces unexpected and unexplored connections between sacred music, african and african american culture and history, theatre, world dance and chant. . image: theaster gates ‘the runners’ the first performance in the processions series. photo credit: cathy carver.
"the rippling, gurgling, rocking and glowing features enliven our experience of the works in ‘rotation’ and denote #wanggongxin's adroit handling of materials" @frieze_magazine on #whitecube hong kong's current exhibition. . 'rotation' is open until 11 november 2017. . image: w**g gongxin, humidifier, 2017, metal bed, plastic box, stone, motor and led lights, © w**g gongxin © white cube